“My favorite typefaces switch over time. Right now, I find myself turning to Univers (Adrian Frutiger, 1957) pretty regularly. With such a large family (21 faces), it can serve so many purposes. And I love that it's available in condensed and extended too. Clean and readable, it's a good workhorse.”
— John Clifford, Owner at Think Studio
The In-House Type: USC University Communications
"Two words: Flex Friday," says Sheharazad Fleming, Art Director at USC. "We tend to slow down a bit over the month of July, during which, our creatives are each encouraged to take a Friday break from the office to seek out inspiration."
The In-House Type: The Hollywood Reporter
The In-House Type: The Honest Company
Tim Hankins didn't go to art school, he studied advertising. Hankins cut his teeth in the world of design at the crossroads of music and the Internet in the late 90s. He's now the Director of Design at The Honest Company, and been with the company since October 2011 before the company had any products or even a website.
Creative Types: What’s Your Typographic Alter Ego?
“There is something immediately comfortable about the typeface. Yet the more time you spend with it, the more of the details you appreciate — while never becoming precious. The letterforms themselves adhere to a tight grid but this structure allows for a flexibility in the ways it can be used to express different ideas.” — Tim Guy, Creative Director at Google
